From 2005 to present there has been a demonstration area for the rally cars at the top of the hill
Spectate from the chicane at the Revival to see plenty of classic cars going sideways as they exit this infamous point of our Motor Circuit.
The first public race meeting took place in 1802 and, through the nineteenth century, ‘Glorious Goodwood,’ as the press named it, became a highlight of the summer season
Whoa Simon! A horse so determined and headstrong, he not only won the 1883 Goodwood Cup by 20 lengths, but couldn't be stopped and carried on running over the top of Trundle hill
Goodwood’s pigs are a mix of two rare breeds (Gloucester Old Spots and Saddlebacks) plus the Large White Boar.
Our gin uses wild-grown botanicals sourced from the estate, and is distilled with mineral water naturally chalk-filtered through the South Downs.
The Gordon Tartan has been worn by the Dukes and Duchesses over the last 300 years.
Built in 1787 by celebrated architect James Wyatt to house the third Duke of Richmond’s prized fox hounds, The Kennels was known as one of the most luxurious dog houses in the world!
Whoa Simon! A horse so determined and headstrong, he not only won the 1883 Goodwood Cup by 20 lengths, but couldn't be stopped and carried on running over the top of Trundle hill
Dido is traditionally for the host, but every single room is designed with personal touches from Cindy Leveson and the Duke & Duchess of Richmond.
Inspired by the legendary racer, Masten Gregory, who famously leapt from the cockpit of his car before impact when approaching Woodcote Corner in 1959.
Found on the lawn at FOS is the finest concours d'elegance in the world, where the most beautiful cars are presented
Sir Stirling Moss was one of the founding patrons of the Festival of Speed, and a regular competitor at the Revival.
Nick Heidfelds 1999 (41.6s) hillclimb record was beaten after Max Chilton in his McMurtry Spéirling fan car tore it to shreds at 39.08s in 2022!
Sir Stirling Moss was one of the founding patrons of the Festival of Speed, and a regular competitor at the Revival.
Nick Heidfelds 1999 (41.6s) hillclimb record was beaten after Max Chilton in his McMurtry Spéirling fan car tore it to shreds at 39.08s in 2022!
One Summer, King Edward VII turned his back on the traditional morning suit, and donned a linen suit and Panama hat. Thus the Glorious Goodwood trend was born.
Whoa Simon! A horse so determined and headstrong, he not only won the 1883 Goodwood Cup by 20 lengths, but couldn't be stopped and carried on running over the top of Trundle hill
One Summer, King Edward VII turned his back on the traditional morning suit, and donned a linen suit and Panama hat. Thus the Glorious Goodwood trend was born.
The first public race meeting took place in 1802 and, through the nineteenth century, ‘Glorious Goodwood,’ as the press named it, became a highlight of the summer season
The first ever horsebox was used from Goodwood to Doncaster for the 1836 St. Leger. Elis arrived fresh and easily won his owner a £12k bet.
Whoa Simon! A horse so determined and headstrong, he not only won the 1883 Goodwood Cup by 20 lengths, but couldn't be stopped and carried on running over the top of Trundle hill
For the last two years, 5,800 bales have been recylced into the biomass energy centre to be used for energy generation
Ray Hanna famously flew straight down Goodwood’s pit straight below the height of the grandstands at the first Revival in 1998
One of the greatest golfers of all time, James Braid designed Goodwood’s iconic Downland course, opened in 1914.
Built in 1787 by celebrated architect James Wyatt to house the third Duke of Richmond’s prized fox hounds, The Kennels was known as one of the most luxurious dog houses in the world!
Ray Hanna famously flew straight down Goodwood’s pit straight below the height of the grandstands at the first Revival in 1998
One of the greatest golfers of all time, James Braid designed Goodwood’s iconic Downland course, opened in 1914.
The first ever round of golf played at Goodwood was in 1914 when the 6th Duke of Richmond opened the course on the Downs above Goodwood House.
One of the greatest golfers of all time, James Braid designed Goodwood’s iconic Downland course, opened in 1914.
Flying training began at Goodwood in 1940 when pilots were taught operational flying techniques in Hurricanes and Spitfires.
The iconic spitfire covered almost 43,000 kilometres and visited over 20 countries on its epic journey and currently resides at our Aerodrome.
We have been host to many incredible film crews using Goodwood as a backdrop for shows like Downton Abbey, Hollywood Blockbusters like Venom: let there be Carnage and the Man from U.N.C.L.E.
The Gordon Tartan has been worn by the Dukes and Duchesses over the last 300 years.
As the private clubhouse for all of the Estate’s sporting and social members, it offers personal service and a relaxed atmosphere
Ensure you take a little time out together to pause and take in the celebration of all the hard work you put in will be a treasured memory.
Leading women of business, sport, fashion and media, take part in one of the most exciting horseracing events in the world.
One of the greatest golfers of all time, James Braid designed Goodwood’s iconic Downland course, opened in 1914.
"En la rose je fleurie" or "Like the rose, I flourish" is part of the Richmond coat of Arms and motto
Our gin uses wild-grown botanicals sourced from the estate, and is distilled with mineral water naturally chalk-filtered through the South Downs.
"En la rose je fleurie" or "Like the rose, I flourish" is part of the Richmond coat of Arms and motto
The iconic spitfire covered almost 43,000 kilometres and visited over 20 countries on its epic journey and currently resides at our Aerodrome.
The famous fighter ace, who flew his last sortie from Goodwood Aerodrome, formerly RAF Westhampnett has a statue in his honor within the airfield.
Whoa Simon! A horse so determined and headstrong, he not only won the 1883 Goodwood Cup by 20 lengths, but couldn't be stopped and carried on running over the top of Trundle hill
Flying training began at Goodwood in 1940 when pilots were taught operational flying techniques in Hurricanes and Spitfires.
Our gin uses wild-grown botanicals sourced from the estate, and is distilled with mineral water naturally chalk-filtered through the South Downs.
For textile designer Catherine Rowe, nature is a source of endless inspiration, whether it’s in the pages of antique books or the Sussex hills and beaches to which she regularly escapes.
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Words by Catherine Peel
“I like the idea of my work being difficult to place in time – it’s that marriage of the very classical style with the modern element,” says Catherine Rowe. “I like to think this means my designs can be timeless.” And it’s true that the 29-year-old’s work is full of familiar references, whether it’s medieval tapestry, a Staffordshire china dog or a William Morris-esque flower print – a kind of quintessential Englishness, but one shot through with wit and a twist of modernity.
For Rowe, whose studio is in Chichester, lockdown has brought some blessings in disguise – a welcome slowing-down to her life, the chance to enjoy the natural world more than usual and to experiment with new ideas. Nature has always been at the core of her work – she admits that even Chichester can feel a little too urban and she frequently escapes to the beach and the South Downs.
Having trained as an illustrator at Cambridge School of Art, Rowe moved into textile design and developed a love of pattern, starting to print her designs onto objects soon after graduating in 2013. Museums are her passion – she owns countless antique science books and is fascinated by old studies of wildlife, plants and trees. A fan of the works of naturalist/painter John James Audubon (his pelican stares at me from her studio wall during our Zoom call) and Edward Lear, her early work in particular is filled with pigs and pears, foxes and hares.
Rowe has always loved tapestries, especially the Unicorn Tapestries, among the most complex and beautiful works of art from the Late Middle Ages, and some of her latest designs were inspired initially by medieval illuminated manuscripts. She is also fascinated by traditional Balinese painting – her father has a house in Bali – which has resulted in a more vivid colour palette. “My inspiration is always from the past, but it can come from anywhere,” she says.
My inspiration is always from the past, but it can come from anywhere
Rowe’s design method is an unusual one: she starts with a rough sketch that is translated and etched out in white onto a black scraperboard. This is then scanned and the colour added digitally. She stumbled upon the process when she came across some beautiful prints at a local market, which she thought were linocuts but turned out to be on scraperboard. It was a lightbulb moment: “It’s certainly a more primitive approach, but it completely fits with how I love to work.”
The turning point in Rowe’s career came in 2019 when she was one of four winners selected in the Open Call for a new Liberty fabric design. “It felt like winning the lottery,” she says. “The impact on my career was amazing and it was so inspiring to learn how a brand like that works – they’re still so meticulous and traditional. It gave me a worldwide platform – Japan is a huge new customer base for me, as is the UAE.”
Her work now appears on a vast range of products, from fabrics and wallpaper to ceramics, lampshades and accessories – including the now ubiquitous face masks.
The way I work is that everything is made to order with a small production company, which means we don’t create a big carbon footprint with mass production. It’s not fast fashion, but I’ve found that people are willing to wait for something they love – and it means I can apply my designs to almost anything, or work on a bespoke piece.
Working sustainably is a particularly important focus. All Rowe’s packaging is biodegradable, and she chooses business partnerships with care. “I’m really fussy about who I work with. I have a new workshop in Italy, which is a tiny, family-run business who share my values and my London workshop is very upfront about how it generates energy and uses favourite fabric remnants, so nothing gets wasted.”
For a designer who cites the natural world as an intrinsic element of her work, it seems only fitting that everything she makes is designed to sustain it.
This article was taken from the Spring 2021 edition of the Goodwood Magazine.
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